(Postings From: http://groups.yahoo.com/group/missexoticworld )
I finally broke down and responded to questions about the movie they  happened to call "Burlesque." I know, I know. Another one? I can only  offer that it is not a review, just a response to some of the press:
"I will not join the chorus of my burlesque brethren reviewing the film  because I have not seen it. I have read and heard enough reviews to know  that I'm not interested in paying for what will likely be a  disappointing experience. (Maybe I'll rent it some drunken night next  year.) I'm not livid that it's out there, I just don't think I'd enjoy  the film, regardless of its title. It has also been made clear that it  does not reflect burlesque as our community knows/practices/ cherishes  it. I do recognize the opportunity that this film's publicity presents  for us to get new audiences in to see what we do, even if they were  expecting something quite different. I support a very broad definition  of burlesque and can live with the fact that mine has very little in  common with Mr. Antin's.
However, I do take exception to this sniffing attitude of superiority to  dirty strippers. Down & dirty strippers (and confrontational  performance artists too) are every bit as much our forebears as cabaret  and vaudeville artists. Burlesque is a working class art form. It  historically employs low humor to skewer self-righteous so-called high  culture. It lampoons politics and is a political art form itself,  especially in our puritanical society. These are essential elements. It  seems to me that his film does none of these things.  Another critical  element in burlesque is Self-Expression. That is very difficult to  achieve when you're trotting out tired imitations of Fosse's brilliant  work. Most artists feel strongly that you do not celebrate your heroes  by merely imitating them but by learning from them and perhaps feeling  their influence here and there in your own original work.
Attitudes like those attributed to Antin & Culpepper in the press  suggest that they seek to "elevate" burlesque. (From The Advocate: "The  two shared a vision of burlesque — musical parody with sexual innuendo,  as it originated in Europe in the 1800s, before it got muddled together  with stripping.") These people who strive to make burlesque highbrow are  working to kill it. When burlesque becomes elitist and ceases to  connect with real people, it ceases to be burlesque. By all means, we  should be intelligent and subtle and witty in our work, but we have to  achieve the high/low balancing act. We need to deliver thoughtful  content and practiced artistry while Entertaining the people in the  cheap seats.
Similarly, opera used to be for everyone and was lively and exciting.  Opera stars used to be rock stars. Once upon a time, ordinary working  class people could afford to see it and even had fun at the opera. As  far as most ordinary people today are concerned, opera is as good as  dead. I do not want to see that happen to burlesque."
xxx Tigger!
I agree with Tigger wholeheartedly. I also have to say that a large  amount of the "dirty strippers" would LOVE to be entertaining in a more  artistic manner, but it may be difficult paying the bills being an  artist for a living,there is not much inspiration nor many mentors in  that environment to bring them out , and the clubs hardly encourage  performance in most places.Or at least they didn't the last years I  danced.I headlined at The Body Shop for about 5 years when it was a  Burlesque club(in L.A) as did several of the lovely ladies in this  forum.Even more worked there as non headliners, with equally stunning  and riveting artistic portrayals of the art as "we" know it.I was the  last headliner there before it was gutted and remade into a nudie bar.I  danced for another 5 years or so after we all got unceremoniously dumped  out the back door after pay day one night by the new owners after Jamal  died"We're closing to become a nude bar, whatever you don't
take tonight will be thrown out"It was awful trying to pack years of  props and whatnot in an hour after a full nights work while  stunned.Except for Jumbo's(which I loved)every club I went to after  that, the only way you could make enough to survive was to "hustle the  floor" for those lapdances.I still did my best to do shows, but as one  dancer put it I was usually "casting my stripper pearls before swine".I  worked in Atlanta a couple years (I won best overall performance" in  Miss Nude Atlanta one year, it didn't change anything in my life except  an extra few tips during the contest)and a couple in Houston and then  one here  in Las Vegas I never gave up trying to do shows, but  ultimately it was just too expensive, time consuming and the men didn't  come to see that .What with the high availability of internet porn free  and at anyone's disposal without even putting on clothes,"a little  titillation" with some art won't pay the bills, much less pay for the
costumes.While I was grateful I already had beautiful costumes,.even  the upkeep was expensive after a while..I guess my long drawn out point  is, that dirty strippers might be that way because that's what pays the  bills.Not across the board, and I certainly don't know the numbers as to  how many would prefer to be more creative and less nasty,I also agree  with all his other points as well, he writes very well.Better than  me,lol I'd expand on some of them but I've babbled a bit already here..I  haven't seen the movie yet, I've heard it called "Showgirls 2" around  here too, lol.One final note, I've noticed there's "amateur troops"  sprouting up on Craig's list. I tried to get in one one, but the amateur  who has never done it besides in her living room thinks "anyone who is  not an amateur will be a diva and suck the fun out of everything". I  have had several spinal surgeries over the last few years and am all  healed up now and would like to get back into
performing.I would LOVE to be part of a group, I have no desire to be a  Diva(lol) I just want to be part of the magic i once knew and be part  of
bringing it back if I can.Now that I would be doing it more for the  love of the art than to survive,I think I could bring a lot of energy ,  love, humor, experience,and of course talent to an existing group, or if  there are other performers in Las Vegas that would like to make a  troupe, or if anyone has any information on how I at least can get into  performing again solo here, I would REALLY appreciate any information or  help.I wish we had burlesque 411 here.I don't get a chance to read the  forum every day, I may have missed a post about groups here.I REALLY  want to be performing again, but purely entertainment. Not lap-dancing.  .I might break a hip..I attached the promo ticket of me from back in the  day for a little trip down Body Shop memory lane if anyone would like  to see it.I love this forum and I thank you for taking the time to read  my post!I apologize for my crappy grammar or any mistakes.I hope  everyone's holiday is a bright one!..Katz.
(Postings found @ http://groups.yahoo.com/group/missexoticworld )